American Indian Animal Designs

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American Indian Animal Designs

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In these graphic representations of the owner's social position, the animals represented are shown as they appeared in the native myths. For this reason, the myths relating to several prominent North Pacific families have been cited in the stories which follow. The representations on Plate 24 will take on added meaning in the light of the myths. Any unusual incident in the life of the owner of a pole was incorporated in the design, as well as a detailed reckoning of his descent from great The art of native North Americans from the Eskimos to the Pueblo tribes illustrated in designs from pottery, paintings, drums, ornaments, and masksSECTION 1 SHORT HISTORY OF BEADWORK OF THE AMERICAN INDIAN USING BEAD DESIGNS LOOMS. Beads of

various.types have been used for ornamentation by man since the beginning of time. These have taken many forms, such as seeds, shells, claws, bones, and stones. The beads used by the American Indian at the time of Columbus' discovery were no different than those of other primitive people. Belts Many tribes applied animal pictures to vests and bandoleers.Paul E. Kennedy. г> Animal figures from Mimbres black andfc pottery, painted inside bowls. Animal figures from Mimbres black and white pottery, painted inside bowls. Mimbres (Archeological, Southwest). Circa 1000 A.D. Animal figures from Mimbres black and white pottery, painted inside.regular geometric forms, but enclosing the various parts of the animal designs in subtle and

irregular.curves. Straight or angular lines are rarely seen, and the colors here are soft and rich. The Southwest had a variety of art techniques and design styles. The latter included birds, butterflies, human forms, animal forms, curves, and straight lines. The Indians of this area were multitalented in painting, carving, the making of pottery, the weaving of cloth plus bead and quill work. Many of the The main material was wood, carved and painted, and when other materials like bone, antler, ivory or metal were used, the techniques and decoration conformed to the rigid rules of design which applied to work in wood. The highly decorative nature of the designs sometimes obscures the heraldic significance and symbolism of the motifs.

Some.basic principles of animal representation can be distinguished. The animal may be shown with a recognizable outline, but with the addition of A collection of twentyfour animal stories from Indian tribes throughout North AmericaSimple fingerweaving was done in diagonal or chevron designs. Fingerweaving also produced the netted bases for the feather cloaks. Face and Body Embellishment Tattooing of the face and body, especially of the men, continued even into the twentieth century; animal figures were favored. Face painting was common. Men preferred geometric or animal designs; women rouged the cheeks with red in a small circle, and reddened the ear rims and eyelids. Both sexes painted the part Moounummn DESIGNS Eye. (Plate

26.).Quail tip. (Plate 26.) Pn RIVER (PALAIHNIHAN) DESIGNS Arrow point. (Plate 22.) Skunk.s nose. (Plate 22.) Lizard. (Plate 23.) MAIDu (PUJUNAN) Des1ons Deer excrement. (Plate 25.) Rattlesnake. The author.s summary of Maidu symbols is the very large variety and number, the frequency of animal designs, the unusual predominance of plant designs, the number in which the realism is obscured, the tendency to spiral and zigzag patterns, 200841 DESIGNS FROM PRECOLUMBIAN MEXICO, Jorge Enciso. 300 bold, rhythmic circle designs incorporating deities, reptiles, birds, flowers, masks, and geometries. 105pp. 6% X 9%. 227944 ARGENTINE INDIAN ART, Alejandro Eduardo Fladone. This stunning collection of 284 rare designs is a bonanza for artists and

craftspeople.seeking distinctive patterns with a South American Indian flavor: animal and totemic designs, geometric and rectilinear figures, abstracts, grids, 

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