Ndomo Gallery

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Ndomo Gallery

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The mask of the ndomo, "image of man as he leaves the hands of god," is characterized by human traits (in particular, the sense organ of the nose) and by horns, whose number varies between two and eight. "The horns are, for the animal that possesses them, like the vegetable sprouts in the earth." By analogy, they refer then to what is most basic in nature. Grains and cowries, which adorn the face of the mask unevenly, evoke the proliferation of human beings. In the kore society, the In addition to the Jo society objects, the Leloup Gallery also showed a diverse group of masks. One, a multihorned Ndomo mask in the style often attributed to the Segou region, was collected in the first decade of the twentieth century

by.the French colonial administrator Charles Monteil. Several unusual antelope headdresses were shown, including one that made explicit the fusion of the antelope with another animal, probably an aardvark. In another antelope headdress, two parallel (©National Gallery Collection; By kind permission of the Trustees of the National Gallery, London/CORBIS) King Arthur being transported to Avalon after his death. (©Bettmann/CORBIS). head, but the meaning is the same, for the A type of mask in use among the Bambara (western Sudan) during the initiation ceremonies for boys of the Ndomo society has a very large nose and an extremely small mouth or no mouth at all. In the symbolism of this people the nose is the organ of social Kahan

Gallery,.juillet 1980. fut un peu montée sur le ton de la confidence. Seuls des privilégiés auront pu l'approcher. J'ai rencontré des « mordus de l'Art Nègre » et il fallait l'être pour connaître son existence. Une consolation, il est quand même possible de se procurer le catalogue, bien conçu, où toutes les sculptures sont en illustration, certaines le sont en couleur, et où les textes, sérieux, fourmillent d'informations. L'ART DES TEMBU, GALERIE L. KAHAN Depuis le mois de juillet London, 1967. Williamson, L. "Ethnological Specimens in the Pitt Rivers Museum Attributed to the Tradescant Collection." In Tradescant's Rarities: Essays on the Foundation of the Ashmolean Museum 1683,

with.a Catalogue of the Surviving Early Collection. Edited by A. MacGregor. Oxford, England, 1983. Woods, W. "A Reconstruction of the Triads of King Mycerinus." Journal of Egyptian Achaeology 60 (1974), pp. 8293 Zahan, D. Societes d'initiation bambara: Le Ndomo, le Korh.For example, a Ndomo mask from Mali, made of wood ing, promoting, enhancing or supporting natural . . The $1,000 scholarships will be awarded to one asyou get older and gothrough objects in the museum's second Additional pieces from the mu more initiations, these will have floor gallery. seum's other African ethnograph up to seven, maybe eight horns on The animalinspired sculpture, ic collection also will be featured them." textiles, jewelry and

more.are in the current Featuring 250 illustrations, a detailed study of the sculpture of the Baule people of the Ivory Coastlong seen by Westerners as one of Africa's most important artistic traditionsexplores the Baules' ways of expression and aesthetic "A new wave of African creatives is on the rise and making a name for itself in design, fashion, photography, and architecture across Africa and abroad.First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.This picture book is a small window onto a large world.